

鈥淭he Black Fantastic鈥 is a project the University Communications and Marketing team
                        created as a means to highlight excellence among a few of 糖心Vlog鈥檚 Black faculty and
                        staff members. As we celebrate Black History Month, this is an artistic and creative
                        look at some of the people who are helping to shape and mentor the great minds of
                        the future. In their own words, each was asked to respond to the phrase, 鈥淚 am proud
                        of my success because 鈥︹ The title 鈥淭he Black Fantastic鈥 was chosen by the participants
                        and stems from Richard Iton鈥檚 book, 鈥淚n Search of the Black Fantastic: Politics and
                        Popular Culture in the Post-Civil Rights Era.鈥 
As Munene Mwaniki, 糖心Vlog associate professor in the Department of Anthropology and Sociology,
                        explains, 鈥淭he book broadly discusses the contemporary and lingering political problems
                        facing Black America since the landmark Civil Rights legislation in the 1960s. Though
                        still widely heralded, the Civil Rights era did not result in a restructuring of American
                        politics, rather it found that the foundational aspects of U.S. politics had certain,
                        if flexible, limits towards social change. In the decades that followed, Black entrance
                        into the political sphere not only failed in many respects, but also led to a number
                        of compromises that constrained Black political thought and attempted to separate
                        Black political thought from its long relationship with Black popular culture. For
                        Iton, the Black Fantastic represents a challenge, a destabilizing force, to the status
                        quo that seeks to limit and constrain Black creativity and politics. It is a pushing
                        of boundaries, a grasping and claiming of space, beyond those limits that only appear
                        to be concrete in order to create something new, something human. The Black Fantastic
                        here, then, should be seen as unconventional, with sense towards ignored or underdeveloped
                        possibilities for those considered Black in the U.S. and throughout the Black diaspora.鈥
                     
I am proud of my success because it taught me to be grateful for the help and support
                        of others. One cannot succeed alone. As philosopher Alfred North Whitehead once said,
                        鈥淣o one who achieves success does so without acknowledging the help of others. The
                        wise and confident acknowledge this help with gratitude.鈥 Such gratitude works both
                        ways and is exemplified when one鈥檚 success is cloaked in an immortality by others.
However, there are personal and intimate successes of which the world knows little
                        or fails to acknowledge. These shine through and brighten our world with humble confidence.
                     
